Dance - Dancer
Dance is in the fine art in the fine arts. why?
We can separate the singer from song.
We can separate the artist from the art
We can’t separate the dancer from the dance
Our Tradition
The style or ‘Pani’ is essential in Bharatha Natiyam. In our organization, we follow the style of Vazhuvur and Tanjavur because we follow the footsteps of our Guru Smt. Lalitha Sankaraman who is the disciple of Guru Smt. Lalitha Durai who is the daughter of Rev. F.G. Nates Iyer and also we follow the footsteps ‘Kalaimamani’ Guru Sri. B. Harembanathan, Tanjavur.
Training Session
1. Training for stage performance.
2. Training for Dance competition.
3. Training for Dance Exams.
4. Training for Dance Teachers
We train the trainees according to their ability and wish under the categories mentioned above.
Session Schedule
1.Twice in a week (2 hrs).
2.Alternate days (2 hrs).
3.Daily (1hrs).
Fee structures vary according to the choices mentioned above.
Syllabus
Dance warm-up
Adavugal
Kouthuram
Phushpanjali
Thodaiya Mangalam
Alarippu
Jathisvarum
Sabtham
Patham
Varnam
Thillana
Javali
Ragumaligai
Mallari
Swarajathi
Kuravanji
Kuravanji
Kollattam
Kavadi
Thirupugazh
We follow the order as prescribed above.
Lession Plan
THEORY
Hashtha Muthurai (One hand and Two hand)
PRACTICAL
Dance Warm up
Adavugal
THEORY
Usage of Hashthas
Patha Pethangal
PRACTICAL
Alarippu Thodaiya Mangalam
Jathisvarm
THEORY
Thiruyangam
Thalas (Kinds)
Thanjai Nalvar (History))
Bhrathanatiyam(Features
PRACTICAL
Sabtham
Short Kirthanaigal
Kouthuvam
THEORY
Siropetham
Thishiti Pethams
Kiriva Pethams
Nirutham Niruthiyam
7 Thalas & 5-Jathis (Angangal and countings)
Loga Tharami
Natiyatharmi
Thistra Alarippu (oral)
PRACTICAL
Chathusra Alarippu
Kouthuvam
Adhithala Jathisvaram
Sabtham
Patham
Devaram
THEORY
Arangatram methods
Sathir & Bharatha Natiyam
Thiriyangam
Thanavarnam
Pathavarnam
Thisrathala alarippu with music notation
Siropetham, Thrishtipetham & Kirivapetham
PRACTICAL
Pushpanjali
Chathusra alarippu
Natesha kouthvam
Jathisvaram
Sabtham
Patham
Thillana
Thiruvaruppa
Thirupugazh
THEORY
Short note on Thanjai Nalvars History
Natiyam and Koothu (Mentioned by Bharathamunivar
Bhgavatha mela’s features
Birth of “35” Thalas
Chinnamelam & Periyamelam
Sabtha Thandavam
Natiyam in Silapathikaram
Gures - Shisya Lakshana
PRACTICAL
Melaprapthy
Virutham
Thodaiyamangalam
Kouthuvam
Allarippu
Jathiswaram
Sabtham
Varnam
Patham
Thillanaa
Bharathiyar song
Pasuram
THEORY
“4” abinayas
Features of Bharathnatiyam
Clasical and folk dance of Tamilnadu
Sangeetha libee
Kuravanchi’s Features
Features of Arangatram
The great composers of Bharatha Natiyam
PRACTICAL
Virutham
Pushpanjali
Kouthuvam
Allarippu
Sabtham
Varnam
Patham or Javali
Bharathidasan Songs
Thillanaa
Kummi or Kollattam
THEORY
Thala dhasa pranam
Nattuvangam and Nattuvanar
Koothu, Kathakali & Yaleshaganam
Arangatrakaathai in Silappathikaram
Short note on:
Gopalakrishnabbarathi
Arunachalakkavirayar
Odhakkodu Yenkatasubaiyar
Muthuthandavar
Vallalar
Jathi, Sollkattu & Arulthi
Dance Master, Choreographer and Guru
PRACTICAL
Virutham
Thodiyamangalam
Koulthuvam
Alarippu (Thalamaligai)
Jathilwaram (Ragamaligai)
Sabtham (Tradithenal)
Varnam
Swarajothi
Patham or Javali
Thillanaa
Astabhathi
Kuravanchi
Mangalam
