AIR MUSIC : Air called oxygen keeps our body alive. Air called Music keeps our Soul alive. We don’t produce air called oxygen. But we can produce air called music.Musiccan be an analogy with anything. Nothing can be an analogy with music. Music can be produced through two means namely instruments and vocal organs. Certainly, vocals precede any instrument. In other words, voice is the best instrument and is unique. There is a saying, “Sound mind is in sound body”. The sound that keeps our body and mind sound is MUSIC.
OUR TREND : In our organization, we have a trend where we give importance to lyrics which is meant for vocalists as well as notes which is meant for instrumentalist, together. We follow the foot steps of Guru Sri. Thanjavur Srinivasa Iyer, Guru Sri. Gopinath. Trichy. and Guru Smt. Ambujam Vethantham for vocals and Guru Palani.S. Lakshmi Narasima Iyer and Guru Sri. V. Rengarajan Trichy for instrumentals.
Training Session
Training for stage performance
Training for vocal competition
Training for vocal exams.
Training for Music teachers
Audio & Media Voice modulation
We train the trainees according to their ability and wish under the categories mentioned above.
Session Schedule
Twice in a week - (2 Hrs)e
Alternate days - (2 Hrs)
Daily - (1 Hr).
Fee structures vary according to the choices mentioned above.
Syllabus
Breath Control
Gamaha Varsai
Jandai Varsai
Vakra Jandai Varsai
Tharasthayee Varsai
Manthrasthayee Varsai
Swara Moorchana Varisai
Agara and Bruga Varisai
abtha Alangaram Varisai
Geetham (Sanjari)
Geetham (Lakshmanan)
Swrajathi
Thanavarnam
Pathavarnam
Adathala Varnam
Keerthanai & Kruthi
Swarasanjaram
Raga Alapanai
Niraval
Pallavi
Azhvar Paasuram
Thevaram
Thirupuhazh
Bharathiar
Bharadhidasan
Lession Plan
PRACTICAL
Breath control
Swaravali
Bajan songs
THEORY
Sruthi
Thalam
Aroganam / Avaroganam
PRACTICAL
Gamaha Varisai
Jandai Varisai
Vakra Jandai Varisai
Thiristhayee
Devotional songs
THEORY
Sruthi variation
Sabtha Thalam
Kalam (speed)
Tempo
PRACTICAL
Manthrasthayee
Thaattu varisai
Swara Moorchana
Patriotic songs
Thevaram
Thirupuhazh
THEORY
“35” Thalams
Music Trinity
Swaram names
Swarasthanam
Purandharadasar
Natham/Iraichal
PRACTICAL
Vakra Thaattu varisai
Agaara bruga varisai
Sabtha alangarams
Short kruthi
Urchava sambrathaya kruthi
Thevaram
Thiruvarutpa
Thiruvambavai
THEORY
Aoudava, Shadavam
Annyaswaram
Jeeva, Nyasa Swaram
Adhidha, Anagatha Thalam
Gragam, Kriyai
Thevara Nalvar
Aksharam, Kaarvai
PRACTICAL
Sanjaari Geetham
Lakshana Geetham
Swarajathi
Jathiswaran
Tamil Keerthanai
Sithar padal
Note swaram
THEORY
72 Melakarthas
Raga lakshana
Thisram in Chathusram
Kalpitha
Kalpana
Short note on Trinity
PRACTICAL
Thaana varnam
Patha varnam
Keerthanai
Kruthi
Ragamaliga
Pancharathana keerthanai
Bharathiyar songs
THEORY
Pangal -42
Jathibhetham
Kathi bhetham
Instrumental music
Suthangam & Layangam
Santha thalam
The Great composers
PRACTICAL
Thaana varnam
Patha varnam
Adathala varnam
Raga alaapanai
Niraval
Swarasanjaram
Other music
THEORY
Notes writing
Past, present, future in music formation
Orchestration
Raga alaapanai
Style of classical & Non classical
PRACTICAL
Kacheri Format
Ragam, Thanam, Pallavi
Ragamaligai swara sanjaram
Classical folk
Thirumurai format
Light music format
Voice modulation
THEORY
Gaana kaalam
Eastern & Western music
Thristhayee Raga sanjaram
Chandha thaalam
Vallar -Brief History
Arunagirinathar-Brief History
Pattinathar-Brief History
Oothukadu venkadasubaiyar-Brief History
Thirumangai azhvar-Brief History
